STC was kind enough to invite me to attend their magnificent production of The Tempest a second time. Sketches below!
Next up for STC are The Metromaniacs, a “rediscovered French comedy masterpiece” from 1738, translated/adapted by David Ives, and David Greig’s Dunsinane, a sequel to Macbeth, produced the National Theatre of Scotland and Royal Shakespeare Company.
Also the Folger is doing Mary Stuart, about the power struggle between Elizabeth I and Mary Queen of Scots.
Tempest sketches part two (part one here) —
Prospero’s final monologue is especially powerful in this production. Here it is in its entirety:
Now my charms are all o’erthrown,
And what strength I have’s mine own,
Which is most faint. Now, ’tis true,
I must be here confined by you,
Or sent to Naples. Let me not,
Since I have my dukedom got
And pardoned the deceiver, dwell
In this bare island by your spell,
But release me from my bands
With the help of your good hands.
Gentle breath of yours my sails
Must fill, or else my project fails,
Which was to please. Now I want
Spirits to enforce, art to enchant,
And my ending is despair,
Unless I be relieved by prayer,
Which pierces so that it assaults
Mercy itself and frees all faults.
As you from crimes would pardoned be,
Let your indulgence set me free.