Hindsight

A collaborative project! Alison painted and collaged this birdhouse, and I drew birds on the sides. I’ll draw on the roof too, I think, but here it is so far.

Okay, so I’ve been traveling too much, which is why I haven’t updated much. The past few days I was home in VT, where I did an author event at my hometown library.

While I was up there I rescued some forgotten childhood artwork from my Mom’s basement. Most of it is going in the recycling or a box in the attic marked “do not open until the artist’s death,” but there are a few pieces I want to scan because they represent distinctive personal stages of my work. Here, for instance, is a sample of what I’ll call the “big fights” series, in which numerous human and supernatural combatants fight simultaneously on a full sheet of paper.

More will be said soon about the second of these.

Powell’s books has a pretty great website and e-newsletter, and they did a Q&A about Merchant in their most recent issue.

I did an author visit at Penn State Harrisburg last week, and the local paper was kind enough to run an interview with me. They first ran an online-only teaser, then the main body of the interview ran in the events section of the paper.

The Merchant of Venice launch party went very well. A few of the cast failed to make it, but the overall turnout was quite good, and I gave a little presentation on the “making-of”, which was well-received. Now, back to work on The Odyssey!

(note Gayle/Portia and Edwin/Salanio in the front. Gayle has cut her hair even shorter than I drew it in the court scene.)

Sorry to say, between preparations for the launch party and trying to clean up the King Lear files for Candlewick to reissue it in 2009, I’ve done precious little life drawing or work on The Odyssey 🙁

I was recently cleaning out some old paperwork from when I worked at Helixe, and I came across these. My office had a narrow window that looked out on a small patch of lawn behind the building, and occasionally we would get flocks of geese or wild turkeys hanging out back there. They were a lot of fun to draw, and with a thick window between us, my presence only a few feet away didn’t alarm them.

I didn’t get a table or have a signing or anything, but I did get down to New York last weekend for the MoCCA comics show.

I didn’t bring my camera, but luckily we ran into our friend Cecil, who took a photo and blogged about the show.

I picked up a few good books… Supermarket by Brian Wood and La Primavera by Alexis Frederick-Frost, one of the minicomic collections by Tom Gauld, plus a cool cheese t-shirt by Lucy Knisley.

By the way, if you were wondering about the rather obtrusive copyright notices I’ve started adding to my web images of late, it’s because of things like this and this.

I was hoping for an Eisner nod this year.

Or, My Author Visit to Roswell…

I’m writing most of this on the plane flight back from Roswell, NM, where I spent 3 full days doing author visits at the New Mexico Military Institute, the Sierra Middle School, and the Sidney Gutierrez Middle School. It was a good trip, although it was *definitely* hard work rather than fun.

The flight to Roswell took most of the day. My first flight left Boston at 2:20pm and I didn’t arrive until 10pm Mountain Time (midnight Eastern). I did manage to get a bit of work done on the way (books 7-8 of the Odyssey script, plus a couple of pages of layout).

My guest suite at NMMI was very spacious and comfortable. I’m not sure I would recommend the accommodations, though, because there’s a wake-up bugle at 6am and another (calling the cadets to drill?) a short while later. Also the water was the hardest I’ve ever encountered. It was almost impossible to get my soap to lather.

NMMI has students ranging from 7th grade to Junior College, and I worked with a lot of them. I did my standard comic workshop at least 6 times, my show&tell presentation in standard, short and long variations, and tried out several new demos and exercises. Every group had a different mix of artistic, rowdy, disciplined, sleepy, cooperative, and bored kids. Some of groups mixed 7th graders with seniors or Freshmen with JC’ers. The shot below is of my presentation open to all cadets and the public after school on Wednesday evening. The turnout was modest, and the cadets can be a bit of a tough audience, but it went reasonably well. Introducing me is the teacher who arranged the whole thing, Liz Boese.

Here’s me presenting at the Gutierrez Middle School:

My basic workshop involves creative reinterpretation of a certain childhood nursery rhyme, and I do it along with the students:

Each day involved about 5 hours of work, and the rest of the time I was mostly resting, checking email, eating Mexican food, and sightseeing in Roswell. I went first to the alien museum, which is 100% amateur. There’s actually some pretty interesting information about the various major UFO incidents, but it’s all presented as plain ol’ text on a wall plus a few black and white photos of the persons involved. They have various photos people have taken of UFOs, a few explanations of hoaxes, and some small dioramas of saucer crashes. Probably the coolest thing there was the alien autopsy diorama donated by a filmmaker who did a movie about Area 51 — for the movie they built a very realistic life-size rubber alien and an autopsy set. This now occupies a large glass case near the end of the museum. I couldn’t even find much in the way of good postcards in the gift shop, though I did buy a spiffy Roswell alien t-shirt.

I also went to the Anderson Museum of Contemporary Art, which is a very cool little place. They do year-long artist residencies there, so it’s filled with the work the residents have done over the years. Mostly representational, mostly quite good. I noted a bunch of names to look up later.

On the last day Liz took me for a drive out to the mountains, where it’s prettier than in town. Some of the parts of the river valley (what they call a river is more of a stream) actually reminded me of VT. The terrain around the highway looked like a lot of the reference I stared at endlessly for the Cars game. The mountains are cool though — literally as well as figuratively.

When I landed in Roswell it was nighttime (and cloudy), so i didn’t get to see much. On takeoff I was treated to an excellent view of miles and miles of barren desert, and then an interesting agricultural area. The fields are all circular, because apparently they irrigate them with a rotating pipe-arm sort of thing. After that, we came to a cool raised shelf in the land, similar to what I imagine the continental shelf looks like under the ocean. Oh, now we’re going over more circular fields. It looks like a polka-dot blanket (in reddish-brown, green, and burgundy). Well, time to crank out some more layouts. Signing off from the skies over New Mexico….